· Ruth Rendell, Going Wrong, Radio Drama. Murder before Midnight: Going Wrong. Sat 11th Mar , on BBC Radio 4 FM. In Ruth Rendell 's psychological thriller, Guy is a natural-born villain but he loves the classy Leonora and he's determined that if he can't have her for ever, no-one else will. Dramatised by Robert East. “Rendell is a master of depicting the long, slow slide into madness” and Going Wrong shows her brilliant ability to walk the line between elegance and terror (Publishers Weekly)/5(5). In GOING WRONG, Ruth Rendell traces the progress of an obsession in the twisted mind of her protagonist, Guy Curran, who is determined to marry his childhood sweetheart, Leonora Chisholm.
Ruth Rendell, Going Wrong, Radio Drama. Murder before Midnight: Going Wrong. Sat 11th Mar , on BBC Radio 4 FM. In Ruth Rendell 's psychological thriller, Guy is a natural-born villain but he loves the classy Leonora and he's determined that if he can't have her for ever, no-one else will. Dramatised by Robert East. Going Wrong: Part 1: Directed by Matthew Evans. With James Callis, Josephine Butler, Daniel Caltagirone, Hosh Kane. A successful businessman runs into his old girlfriend. Although she treats him politely, his rekindled feelings to her border on nothing less than obsession. Buy Going Wrong Reprint by Rendell, Ruth (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.
KIRKUS REVIEW. "Going wrong" indeed: Rendell's latest variation on a favorite theme--psychotically obsessive love--is surprisingly one-dimensional and padded out, without the sharp twists or convincing peril of her best (or even second-best) work. Rich, handsome, amoral, slum-bred Guy Curran, almost 30, is still utterly obsessed with childhood-sweetheart Leonora--even though they haven't been lovers for over ten years, even though she's an intellectual liberal who despises his gangsterish. After reading one or two Ruth Rendell novels, a savvy literary consumer trusts whatever narrative direction the master takes while she stretches craven characters beyond their limits in ratcheting suspense. At the start of Going Wrong, several failings of human nature are lurching toward an inevitable, fully avoidable fateful outcome. The descent into delusion is experienced exclusively through the perspective of one character, a fanatically doomed love addict. “Rendell is a master of depicting the long, slow slide into madness” and Going Wrong shows her brilliant ability to walk the line between elegance and terror (Publishers Weekly).
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